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Art & Literature

On October 4, The Chicago Literary Hall of Fame conferred upon literary icon, Harry Mark Petrakis, 91, its coveted Fuller Award for Lifetime Achievement. At a reception at the National Hellenic Museum, friends and colleagues shared anecdotes and read excerpts of his work. The award was presented by longtime friend, Judge Charles P. Kocoras. The legendary author wrote compelling stories that resonated with Greeks and non-Greeks alike. Though his characters are Greek, they could have been from anywhere else in the world. They're human; they're identifiable and relatable. Petrakis is uniquely Greek, yet uniquely Chicago. His work has inspired generations of writers. His 25th book, Song of My Life, is expected later this year.


The OPA! Way: Finding Joy & Meaning in Everyday Life & Work

By: Alex Pattakos and Elaine Dundon

Publisher: BenBella Books, Inc.

ISBN: 978-1-940363-25-7


Just Say OPA! The Wisdom of the Ancients Still Holds True


The wisdom of the ancients is still incredibly meaningful today. Alex Pattakos and Elaine Dundon have harvested these profound words and principles into a new paradigm for finding meaning in our lives. These tenets are nothing new, but looking back to their words is actually quite eye-opening. The philosophers’ thoughts on living, and how to get the most out of life, still hold true. This husband and wife duo reminds us of these age-old truths, and prompt us to discover our own path to meaningful and joyful living. This road compels us to look at all areas of our life, to identify what’s truly important, to simplify, to even begin anew, and be the best we can be.


They examine the quintessential Greek village life. Many of us Westerners have always been told that the villagers were “backwards” or “didn’t know better.” On the contrary; we see that they are sage individuals, and actually knew better all along. We revisit these concepts that are at the very core of our Hellenism: filoxenia, filotimo, arete, evdemonia, and more. These are the virtues we strive for, and have often lost sight of, ironically, in our pursuit of a better life. The villagers embrace a true concept of community, and live these virtues every single day. This has led them to become very resilient in the face of adversity, especially with the financial crisis. They have a different attitude to toward life. They value the simple pleasures, and continually find joy in their lives. They actively embrace life, and are sure to take the time to engage with each other and develop relationships. They know they are intertwined; they are connected and each have a place in the world. They truly understand what community is and why it’s essential. While we’ve been in the fast lane chasing material wealth and prestige, we’ve lost sight of what life is about. The result? We’re tired, stressed, unhappy, unhealthy, feeling like we have no purpose, and like our lives are without meaning.


The philosophers told us that our mind, body and spirit are interconnected. When one gets out of whack, nothing else seems to go right. When we get stressed, it affects our physical health. When we don’t feed our spirit, we suffer in many areas. When we work, work, work and don’t make time for family and friends, for life, we lose meaning. We start to feel like we are on the hamster wheel and can’t get off. We have things, but we aren’t happy.


Learn or re-learn what the philosophers had to say. Read the OPA! Affirmations. There’s a wealth of information here. The OPA! Way becomes a road map for living, for embracing life, for reconnecting, and helping us find our place in the world. We all have much to give, we all have much to learn. It’s time to re-discover it and perhaps, finally, we will lead lives (and find work) that is meaningful and brings us joy.


OPA! truly is more than a word. It’s a way of life. Pattakos and Dundon have created a guidebook for our lives. The wisdom of the ancients indeed holds true, and in today’s world, is more essential than ever. The OPA! Way is a volume you’ll refer to again and again. It’s time to be the best you, to embrace life, and find joy. Everybody say OPA!


Alex and Elaine will appear at the National Hellenic Museum on December 4.

Check out my Q&A with the authors.


A new exhibition at the Art Institute of Chicago, Heaven and Earth: Art of Byzantium from Greek Collections, presents more than 60 superb artworks of the Byzantine era, from the 4th to the 15th centuries. Organized by the Hellenic Ministry of Culture and Sports of Athens, Greece, with the collaboration of the Benaki Museum, Athens, and originally exhibited at the National Gallery of Art in Washington, DC, and the J. Paul Getty Museum in Los Angeles, the exhibition includes major artistic holdings from Greece consisting of mosaics, sculptures, manuscripts, luxury glass, silver, personal adornments, liturgical textiles, icons, and wall paintings. About one third of the original exhibition will be presented in the Art Institute’s Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art from September 27, 2014, through February 15, 2015.

For more than 1,000 years, Greece was part of the vast Byzantine Empire, established in 330 A.D. by the emperor Constantine the Great, who moved the capital of the Roman Empire east to a small town named Byzantium in modern-day Turkey. Renamed for him and transformed into Constantinople, Byzantium would come to represent an empire of splendor and power that endured for more than a millennium. Greek replaced Latin as the official language, and Greece itself was home to important centers of theology, scholarship, and artistic production—as evidenced by the luxurious manuscripts displayed in the exhibition. “When we opened the Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, we were given the opportunity to host great exhibitions alongside our collection of ancient and Byzantine art,” said Douglas Druick, President and Eloise W. Martin Director of the Art Institute. The first exhibition in the Jaharis Galleries was Late Roman and Early Byzantine Treasures from the British Museum in 2012 that featured artworks from the 4th-7th centuries. “Through our collaborations with the organizing institutions of Heaven and Earth, we are fortunate to explore the next chapter of Byzantine art history as we welcome singular and beautiful artworks—many of which have never been shown outside of Greece—that span the history of this powerful empire.”

Heaven and Earth explores the rich legacy of the Byzantine Empire through five main themes: the transition from the Classical to the Byzantine world, spiritual life, intellectual life, the pleasures of life, and cultural exchange in the waning years of the empire in the 15th century. The exhibition opens with the Head of Aphrodite, a Roman marble sculpture of the Greek goddess Aphrodite that had later been altered with a cross carved on her forehead, presumably to Christianize it or reuse it as an image of a saint. From its beginning in the 4th century the Byzantine Empire would embrace its Classical origins while forging a new spiritual aesthetic to outfit the ceremonies and interior of the Christian church. Icons of holy persons, saints, important theologians, and sacred events were painted to be channels for the devoted to the heavenly realm while mosaics and silks embroidered with gold and silver reflected the glimmering candle light of the church. Jewelry, resplendent with precious and semi-precious gems—including a personalized engagement ring—perfume flasks, and silver and ceramic dinnerware that reveal the spectacle of the banquet, all allow visitors a glimpse into the individual lives of the Byzantines.

“Heaven and Earth represents a truly international effort,” said Karen Manchester, Chair and Curator of Ancient Art in the Art Institute's Department of Ancient and Byzantine Art. “This is our first collaboration with the Hellenic Ministry of Culture and Sports and the Benaki Museum and it has allowed the Art Institute the remarkable opportunity to display priceless treasures from Greece.”

Additionally, the Art Institute will be the sole U.S. venue for the 14th-century Icon of Saint Prokopios. Painted in the last century of the Byzantine Empire during the Ottoman invasions of northern Greece, this icon represents the youthful saint, suited in armor draped with a vivid red mantle, who was martyred over a millennia before in the 4th century during the beginning years of the Byzantine era. The exhibition catalogue, available in the museum gift shop, features this artwork on the cover.

Heaven and Earth: Art of Byzantium from Greek Collections was organized by the Hellenic Ministry of Culture and Sports, Athens, with the collaboration of the Benaki Museum, Athens, and in association with the National Gallery of Art, Washington, and the J. Paul Getty Museum in Los Angeles.
Major funding for Heaven and Earth: Art of Byzantium from Greek Collections has been provided by the Jaharis Family Foundation, Inc. Additional support has been provided by the Stratis family, Charlotte Vern Olson, and Karen and Walter Alexander.
The exhibition’s US tour is made possible through OPAP S.A.’s major funding. Financial support is also provided by the A. G. Leventis Foundation.
The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Images: Icon of Christ Pantokrator, late 14th century. Byzantine; Thessaloniki. Museum of Byzantine Culture, Thessaloniki.
Head of Aphrodite, 1st century A.D. Byzantine; Greece, probably Athens. National Archaeological Museum, Athens.
Pendant with Christ Pantokrator, rock crystal: 11th century, mount: 16th century. Byzantine, probably Constantinople. Benaki Museum, Athens.
Icon of St. Prokopios, 14th century. Byzantine; Greece, Veroia. Church of Saint Prokopios, Veroia.

Special Events:

Lectures: To celebrate the opening of Heaven and Earth: Art of Byzantium from Greek Collections, Jenny Albani, Hellenic Ministry of Culture and Sports, Greece, and Anastasia Drandaki, Benaki Museum, Athens, provide overviews of Byzantine culture and the exhibition.
Reservations recommended. To register, please call 312-443-3680.
September 27, 2014
Fullerton Hall
Free with museum admission; Reservations recommended

Gallery Talk: Exhibition Overview
Explore the array of Byzantine icons, silks, mosaics, and other stupendous loans in the exhibition Heaven and Earth: Art of Byzantium from Greek Collections,
October 10, 2014
Meet in Griffin Court
Free with museum admission

Lecture: Maniera Greca in the West, Maniera Latina in the Byzantine East – Piety, Politics, and Painting in the Thirteenth to Fifteenth Centuries
In this lecture featuring artworks from Heaven and Earth: Art of Byzantium from Greek Collections, Anastasia Drandaki, Curator of the Byzantine and Post-Byzantine Collection, Benaki Museum, Athens and co-curator of the exhibition will focus on unexplored aspects of the dialogue between Byzantine and western European art, particularly Italian painting of the period.
Sponsored by the Classical Art Society
October 23, 2014
Fullerton Hall
Free with museum admission

Performance: “Fall of Constantinople” Cappella Romana.
Join the renowned early music ensemble Cappella Romana and explore the musical legacy of the Byzantine empire with ‘The Fall of Constantinople.” Majestic ceremonies for the cathedral of Hagia Sophia, triumphant assertions of superiority by Westerners, and fervent prayers for the healing of political and religious divisions are followed by two poignant laments for the Fall of Constantinople.
November 16, 2014
Fullerton Hall
This will be a ticketed event.


COURTESY: Art Institute of Chicago


Wednesday, 03 September 2014 13:00

BOOK REVIEW: The Last Island

Written by

The Last Island

By: David Hogan

ISBN: 978-0-9926552-1-1

Publisher: Betimes Books


Novel Explores Themes of Redemption, Escape, Love, Our Flawed Nature


Playwright David Hogan offers an intriguing novel, “The Last Island,” based on a fictional Greek island in the Sporades. The Bostonian who lived in Athens for many years and has spent much time on the island of Skopelos, examines the human condition, our flawed nature and more.


                There, he witnessed the island change from a traditional fishing society into a modern, tourist-based economy.


               “I wanted to capture something of that transition, what was lost, what was gained and the effect it had on the people, the animals, the island itself.”

                “During that time, I was alternately mystified, amused, excited, frustrated, and delighted, as I would have been anywhere else, but in Greece I think those emotions were heightened.  I can remember moments when I was swimming in the Aegean at sunset or standing on a mountaintop at dawn where the history and urgency and majesty of the place would course through me. At times, I can still feel it.”


                Hogan’s protagonist – unnamed throughout the story – is any of us, an everyman struggling with regrets, searching for meaning, asking himself, ‘now what?’


                “He’s as flawed as any of us. Perhaps the one thing that sets him apart is the level of his self-awareness when he recognizes who he is and what he’s capable of.  This understanding comes to him abruptly and confrontationally. Most of us will never experience such a defining moment, but that’s one of many reasons to read novels.”


                The protagonist flees his everyday life as a Boston fireman and heads to a Greek island. His grandmother was Greek, and he learned some of the language as a child. He seeks refuge there, where no one knows him, no one knows he can understand some language; he’s just another person. It’s the perfect place to get lost – to lose his former self and begin anew. But redemption is not so easy.


                He finds work at a taverna. Immersed in island culture, he meets a mysterious stranger, named Kerryn, who teaches him much about life, getting back to basics, and also about protecting the environment.


                Kerryn, like Hogan, is an environmentalist. She’s shedding all her possessions in an attempt to get back to a simple, more natural life, where man and nature live in complete harmony.


                “She hasn’t found an answer yet, hasn’t quite found a new way of being, but she’s searching. I’d like to believe we all are.”


                 She befriends a dolphin, and risks her life to make sure the waters remain wildlife-friendly. Their growing friendship pulls him into her quest to save the island from losing its old ways, and ultimately, helping the dolphins.


                Two unlikely beings, shedding their own pasts teach each other about life, love, and human nature. One has previously crossed ethical lines, while another does it currently. Who’s right? Who’s wrong? What if the end justifies the means? Is man more important than nature? Are the new ways better than the old? Have we made life too complicated, and if yes, can we return to simpler ways and times? Do we know what we are really capable of? Hogan’s adept storytelling makes us ponder our spiritual essence, and to reflect on who we are, where we have been and where we are going – and how things so different can really be so much alike.


                “The Last Island” is a contemporary fiction bestseller at Amazon UK, reached Number 1 at Amazon Australia, and was a finalist for the San Diego Book Award. Hogan has recently completed a stage play and is currently working on a new novel.

 Young World Travelers and the Magical Crystal Globe

By: Demetra Tsavaris-Lecourezos

Illustrations by Rick Sanders

Publisher:  The Word Verve

Ebook ISBN: 978-1-941251-10-2

Hardback ISBN: 978-1-941251-11-9

Published: May 2014


First Book in Series Takes Kids on Fun, Educational Travel Adventures

 CHICAGO--Many parents have watched Disney’s “Little Einsteins” with their kids, immersing them in travel adventures around the world. Author Demetra Tsavaris-Lecourezos loved to watch the show with her daughter, Katerina.  As Katerina grew older, however, it was time for something more advanced.

                 “There was nothing out there,” Demetra revealed. “My creative juices began to flow, and the idea sprang from there.”

                 She spoke to an attorney at Disney, and was quickly advised that anything that she shared with them could be used.

                 “Immediately, I hung up. I knew I could do something with this idea.”

                 The concept, co-created by her late husband, Constantine “Gus”, began as a movie script, designed to teach kids about travel, language, means of transportation, currency conversion,  and other life lessons.

                 Demetra, who had written poetry in high school and college had not published anything, remained undaunted. She flew to Los Angeles to meet with National Geographic, Lions Gate and others. The complete package—which included films, toys, activity books and other related materials, was well-received; however, she was continuously told that producing the series would cost millions; none wanted to take that risk. They all recommended that she adapt the scripts into children’s books.

                 Disappointed, she returned home, and began to write. With four scripts written, it was time to query publishers. Then a series of events put the project on hold: within the next year, she experienced a miscarriage; then Gus, and her mother, became ill and passed away—her husband from pancreatic cancer, and her mother, leukemia. Demetra and her husband were planning to relocate from New York to Tarpon Springs, and had set in motion plans to open a gift shop, called, Given With Love.   

               "We signed the corporate papers for the store, but he never got to see it open.”

                 In the wake of these life-altering events, and everything poured into the business, it never seemed the right time.  Then last winter, a friend suggested she pitch the idea to a well-respected publisher.

                 “I took a chance, and reached out to Janet Fix of The Word Verve, via Facebook.  Coincidentally, she was planning a trip to Tarpon. Janet came to my shop, and we hit it off. She asked to take the book manuscripts with her; all I had was the movie script. I trusted her with it. A week later, she called and said let’s do the series, and send her the first book ASAP.  That was in January.” 

                Published in May, the story is about several kids hanging out in front of a shop, who are bored and can’t decide what to do. Mrs. Eva, the shop owner, hears the kids and engages them in an amazing adventure. With her Magical Crystal Globe, she takes them on a journey to actual places in Queens, NY. The kids visit Fort Totten, the Queens County Farm, and as fairgoers they attend the World’s Fair.

                 Things started happening quickly. Eager to begin promoting the new book, she immediately set out to schedule book readings.  While calling local book stores, she learned that this year is the 50th and 75th anniversaries of the World’s Fairs, and celebrations will take place throughout the year. She soon found herself invited to the World’s Fair Anniversary Festival, for two book readings. 

                 “The book wasn’t even printed yet! I had to go to a local print shop to have one printed and bound, to show. The audience loved the illustrations. Selecting the artist was another set of coincidences. Turns out the Tampa-based illustrator I selected, Rick Sanders, was also a native New Yorker, and we were born in the same hospital in Jackson Heights!”

                Demetra will return to NY for more events this fall. Back in Tarpon, she’s been reading the book to local classrooms, where the response from children has been overwhelming.

“They love the drawings, and are eager to know where the kids go with each turn of the page!”

                Full of colorful illustrations and engaging history that children can get excited about, “Young World Travelers” teaches children the value of imagination, how much the world has to offer, and creates awareness for the greater world. It whets their appetite for travel, and makes history fun and accessible. Next year, look for the next adventure, to Greece.


Wednesday, 02 July 2014 08:21

Nicholas Gage in Chicago

Written by

CHICAGO---Award-winning author and investigative reporter Nicholas Gage appeared at the National Hellenic Museum on June 13. At the event, produced in partnership with the National Hellenic Society, Gage chronicled his “Writer’s Odyssey.” He spoke about his childhood in Greece, coming to America to a father he’d never met, how he became a writer, and more. It was an emotional moment for Gage, speaking about his mother, Eleni, whose story is recounted in the book, Eleni, which was subsequently adapted for the big screen. He described how he honed his journalistic and investigative skills to return to Greece to learn his mother’s story. Due its immensely personal nature, it took time to gather his courage to begin the investigation. He also revealed that he had to summon even more courage to actually put pen to paper. Gage spoke about some 7000-plus letters he received from people who’d read the book, explaining how it had touched them.

The author spoke about his other work, including the book, Greek Fire, about Aristotle Onassis and Maria Callas. He said he was often asked, “because he was Greek,” if he’d met the pair. He reported that he’d met Onassis twice, but “sadly” not Callas.  In researching the story, he learned that much that had been written about the couple to that point was untrue.

Another memoir is in the works, this time recounting his years as an investigative reporter.

A rooftop reception followed the event. An internationally renowned writer, Nicholas Gage is engaging, yet humble. He’s simply a man with stories to tell and a passion for his heritage.

Tuesday, 03 June 2014 20:37

Q&A with Nicholas Gage

Written by

This week, we caught up with award-winning reporter, author, producer and philanthropist

Nicholas Gage

The author spoke to us about becoming a writer, about his philanthropic endeavors, apathy among younger Greek Americans, and more. Mr. Gage will appear at the National Hellenic Musuem in Chicago on June 13.


Maria A. Karamitsos: When did you decide to become a writer and why?

Nicholas Gage: When a teacher in the seventh grade noticed that I had writing ability and encouraged me, even though I was still struggling with the English language. I knew I wanted to be a reporter and writer to find out what happened to my mother and tell her story. I studied journalism in college and graduate school and won a prize for the best published writing by a college student, which was presented by President John F. Kennedy at the White House in May of 1963, a big thrill for an immigrant kid. 


MAK: What was your first job as a writer?

NG: My first job was for the local paper in my home town, Worcester, MA, the summer I finished high school. It was there I decided I wanted to be an investigative reporter to develop the skills to ferret out documents and get people to divulge information they really don't want to talk about so I would be well-equipped to search out my mother's story when the time came. I honed those skills later at the Associated Press and The Wall Street Journal and by the time I was 30, I was the chief investigative reporter for The New York Times.


MAK: You obtained the first Nixon tapes in the Watergate Scandal. That makes you part of history. Briefly tell us about that.

NG: The Times was being beaten badly by the Washington Post on the Watergate story, so the executive editor, Abe Rosenthal, sent me from New York to Washington to beef up the efforts of our bureau there, and within a week I got the first Nixon tape from a source I still can't reveal.


MAK: You have received six Pulitzer Prize nominations and numerous awards. What accolade has been the most meaningful to you?

NG: The first prize of the Royal Society of Literature of Great Britain for my book, “Eleni”, because I prevailed against some of the best writers in the English language when I didn't know a word of that language until I was 10.


MAK: World War II, the German occupation, your mother’s story, the Greek Civil War, the Pontian Genocide, etc.—all of these things happened in the last 100 years. The wounds are still fresh, yet these events are little known to those outside of Greece and the Diaspora. Why do you think that is, and what in your opinion, can we do about it? Why is it so important to tell these stories?

NG: I think there is a tendency in the West to dismiss the struggles of the Greek people in modern times and the way to fight against it is to write about those struggles, as I and other writers like Elia Kazan and Harry Mark Petrakis have done.


 MAK: How did you become part of The Godfather III production?

NG: As an investigative reporter in New York, where there are five Mafia families, I wrote a lot about the Mob. Executives at Paramount Pictures, who were having trouble finding a way to finish the saga of Michael Corleone, were impressed with my articles and asked me to write a proposal on how I would tell it. I did; they liked it and they hired me to develop and help produce the picture.


MAK: Will you be producing or co-producing any other films?

NG: I'm currently working on a couple of potential films, but there's a lot of bull in the movie business and until the cameras roll, I don't like to talk about my projects.


MAK: Tell us about the scholarship at Boston University.

NG: Some 25 years ago I established a scholarship for students of Greek ancestry at BU, where I went as an undergraduate, in memory of my mother and I've contributed my lecture earnings to it, so that now the fund has some $700,000 in it. Each year the fund awards several scholarships to deserving students, some of whom have gone on to distinguished careers.


MAK: Describe some of your other philanthropic endeavors.

NG: I have raised funds to help ethnic Greeks in Northern Epiros; to support the work of Archbishop Anastasios of Albania; and of course to help my native village, Lia, where I built an inn, roads, and other projects. I've also used my pen to bring attention to the plight of the Patriarch of Constantinople, and Greek and Orthodox communities in the Balkans and the Middle East.


MAK: What’s happening at the Panepirotic Federation? Update us recent endeavors.

NG: We are working to gain better rights for ethnic Greeks in Albania and encourage investments and development on both sides of divided Epiros. We have made great strides so far, alleviating the persecution of Greeks in Albania and promoting major infrastructure projects in southern Epiros. We took the lead to bring together Epirot groups throughout the world into an international organization, the World Council of Epirotes Abroad, which is holding its third triennial convention in Ioannina this summer from July 24 to 27.


MAK: The younger generation of Greek Americans is quickly losing interest in syllogi and other Greek organizations. I’m sure you are dealing with this in the Panepirotic Federation. How, in your opinion, can we re-engage them, and keep them engaged?

NG: Although American-born Greeks don't feel the pull of the regions their fathers come from, these places are part of their identity and if they take the time to learn about their history, culture and traditions, they will be greatly enriched. The leaders of the syllogi need to do a better job to reach out to younger people.


MAK: You’re in Greece right now. What is the general feeling over there, in terms of the crisis and the future? Do people seem hopeful that things are improving?

NG: Greeks are going through hard times but they are known for their resilience and will recover if they stay the course and reject irresponsible demagogues.


MAK: You’re coming to Chicago in a few weeks. Tell us briefly about your presentation.

NG: I'm going to discuss my work as a writer and my efforts to bear witness, in my books, to my times and the Greek experience on both sides of the Atlantic.


MAK: What’s next for you? Another book perhaps?

NG: I'm developing a new book project but it's too early to talk about it.


MAK: What advice would you give to an aspiring writer?

NG: My advice to young writers has been offered by many before me--read good writers and write about what you know.


Nicholas Gage will chronicle “A Writer’s Odyssey,” at the National Hellenic Museum on Friday, June 13 at 6:00 pm. 312.655.1234

Wednesday, 07 May 2014 12:43

Mystery Code in Rare Copy of 'Odyssey' Cracked!

Written by
An Italian computer engineer has solved the riddle of some mysterious handwritten notations found in the margins of 1504 Venetian edition of Homer’s Odyssey. Daniele Metilli has won a $1,000 prize offered through the University of Chicago Library by collector M.C. Lang, who had donated the book to the University of Chicago Library in 2007! The engineer who identified the mystery script as a system of shorthand invented by Frenchman Jean Coulon de Thévénot in the late 18th century, said that “We spent days and nights trying to solve difficult word puzzles. We read Greek, we wrote French. We rediscovered the beauty of the Odyssey. We approached the contest looking for an adventure, and we got it. It was a wonderful experience and we could not be more happy!”
COURTESY: Greek News Agenda 
Tuesday, 06 May 2014 13:57

Seeking the Ancient Kallos

Written by

The exhibit – Seeking the Ancient Kallos (Beauty) – by American fine art photographer J. Joshua Garrick made history as the first exhibition in the 125-year history of the National Archaeological Museum of Greece to be created and presented by a non-Greek Artist. The exhibit is now in America and is hosted by the Consulate General of Greece in New York City. The exhibit is curated by art historian Iris Kritikou and designed by Marios Voutsinas. The exhibit, which runs through May 20 is free and open to the public. Phone (212) 988-5500.


Seeking Ancient "Kallos"

J. Joshua Garrick is an acclaimed photographer from Orlando, Florida, who loves Greece "so completely, I hope it shows in my work… and it does." His unique exhibition “Seeking the Ancient Kallos” opened in New York on April 10, hosted at the Consulate General of Greece and it runs through to May 2. But this is no ordinary exhibition.
On September 12, 2013, Garrick made art history as the first American to present this same exhibition of his work - 95 of his black-and-white photographs of landmark places and statues from ancient Greece - at the National Archaeological Museum, in its 125-year history.

He had climbed up restoration scaffolding to the roof, where he balanced without a tripod in a precarious position to get some if his remarkable images. Many of the statues are housed in the museum itself, the largest in Greece and renowned for its antiquities.

Ancient Greece is the main theme of his work and the country has honored him with unprecedented access to famous monuments and museums. The exhibition aims to highlight ancient Greek culture as the birthplace of the western arts and the inseparable relationship of modern Greece with Europe. In Garrick’s own words: "It is my honor to be a constant ‘student’ of the Classical era of Ancient Greece."
COURTESY: Greek News Agenda 
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